100 Objects (Progress)

 










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Figurative Sculptures

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  Natural , air-dry clay, acrylic paint, wood Dimensions of left sculpture and base: 4.5" x 8" x 2" Superficial , air-dry clay, acrylic paint, wood Dimensions of right sculpture and base: 4" x 8.5" x 1.5" These figurative sculptures are representative of the dangers of social media infatuation. The sculpture on the right is indicative of a person who is indulgent in social media and is easily influenced by likes, comments, and trends. This sculpture is titled Superficial to reflect the person it depicts. This sculpture displays a person who has given into the beauty norms that social media has dictated, such as getting a breast augmentation and a nose job to look a certain way. This person also wears hair extensions and extensive amounts of makeup in order to "blend in" with society and fit the norms that the media has created. Her lips are bright pink to hint at superficiality and egocentricity. This person has her phone turned on in front of he
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Gregor's Room

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  Room of Remorse , paper, Indian ink  Dimensions of bed without headboard: 8.5" x 5.5" x 2" Dimensions of bed with headboard: 9.5" x 6" x 5" This piece was inspired by The Metamorphosis  by Franz Kafka. The piece is a depiction of Gregor Samsa's bedroom, the place in which his metamorphosis takes place. The items in the space are cramped to reflect how Gregor felt after his metamorphosis, and the room is filled with chaotic colors and patterns to imitate the tone of the story. Baby blues and baby pinks reflect the colors of childhood and the feeling of helplessness, while browns and purples add chaos and confusion to the mix. This represents Gregor's feelings about his metamorphosis because he felt helpless and ashamed of what had happened. The piece is titled  Room of Remorse  to allude to this and to reflect how Gregor felt after the metamorphosis. Gregor himself is represented as a small black ball of swirling stress, sadness, and shame, as tha
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Flowers and Fingerprints

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  "Flowers and Fingerprints" 8.5 x 11 acrylic paint on white paper "... Research found that a lack of touch produced brain damage."  (Diane Ackerman, A Natural History of the Senses, p. 76)      During this section of the reading, I was compelled to think about nature and how a lack of experiencing such can lead to mental illness or brain damage. As noted in the reading, human touch is vital to our well-being, but connection with our planet is also vastly important. Before starting this piece, I took a walk around my neighborhood and closely inspected different plant species, touching them and noting their differences. I was walking barefoot, feeling the raw earth beneath me. I brought many specimens back with me and decided to use them as my means of painting. I painted the flowers I collected and pressed them on the paper. I then painted over leaves to leave their imprints, and I used flower stems in the place of paintbrushes. I didn't use any materialistic o
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